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Now Playing

The Drowsy Chaperone

SHOW DATES

-Friday, April 5, 2024 @ 8:00 p.m. Opening Night
-Saturday, April 6
, 2024 @ 8:00 p.m.

-Sunday, April 7, 2024 @ 2:00 p.m. Matinee

-Thursday, April 11, 2024 @ 8:00 p.m. Pay-What-You-Can performance.

-Friday, April 12, 2024 @ 8:00 p.m.

-Saturday, April 13, 2024 @ 8:00 p.m.

-Thursday, April 18, 2024 @ 8:00 p.m. Scent-free performance.

-Friday, April 19, 2024 @ 8:00 p.m.

-Saturday, April 20, 2024 @ 8:00 p.m. Closing Night.

PERFORMANCES AT

The KordaZone Theatre. 2520 Seminole Street. Windsor, Ontario.

TICKETS

  • $30.00 General Admission. 

  • Purchase in advance at Eventbrite.

  • Call 519-324-6112.

  • Purchase at the door; cash and debit only.

  • Korda Concession Stand will be open for all performances (cash or debit).

  • Facebook Event Page: Click HERE.

INQUIRIES?

Email drowsy.kordazone@gmail.com

 

CREATIVE TEAM


Book by Bob Martin and Don McKellar
Music and Lyrics by Lisa Lambert and Greg Morrison

Director David Burrows
Assistant Director Mark Worsley
Choreographer: Cindy Pattison
Assistant Choreographer: Nathalie Mero

Stage Manager Janna Desmarais

Properties Manager Rachel Hillis
 

THE CAST

Man in Chair:  Eric Miinch

Mrs. Tottendale:  Amy Pinsonneault

Underling:  Cavelle Doucet-Lefebvre

Robert Martin:  David Sivak

George:  Brett Hallick

Mr. Feldzieg:  David Nisbet

Kitty:  Becca Miinch

Gangsters..er, Pastry Chefs:  Greg Girty, Natalie Worsley

Aldolpho:  Gianluca Ieraci

Janet van de Graaff:  Maria Harman

Chaperone:  Kristen Siapas

Trix:  Melissa McLeod

Superintendent:  Mark Worsley

Ensemble:  Abbey Lee Hallett, Melanie Postma, Georgie Savoie, Gabrielle Smith

THE BAND

Piano:  Nick Morvay, Mike Karloff

Bass:  Mitchell Leyte

Drums/Percussion:  Vanessa Harnish

Trumpet:  Rob Fazecash

Reeds:  Sebastian Bachmeier

SYNOPSIS:

Winner of five Tony Awards, including Best Book and Best Original Score, The Drowsy Chaperone is a loving send-up of the Jazz Age musical, featuring one show-stopping song and dance number after another. With the house lights down, a man in a chair appears on stage and puts on his favourite record: the cast recording of a fictitious 1928 musical. The recording comes to life and The Drowsy Chaperone begins as the man in the chair looks on. Mix in two lovers on the eve of their wedding, a bumbling best man, a desperate theatre producer, a not-so-bright hostess, two gangsters posing as pastry chefs, a misguided Don Juan and an intoxicated chaperone, and you have the ingredients for an evening of madcap delight.

 

Hailed by New York Magazine as “The Perfect Broadway Musical,” The Drowsy Chaperone is a masterful meta-musical, poking fun at all the tropes that characterise the musical theatre genre.

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